![]() I my own instinct it seems to have resulted in entertainment that does have this very broad appeal. And I thought, “What if there was a character that I play in which no words were spoken?” And that was Mr. You know, comedy is generally quite a parochial thing. How interesting that musical artists can presume an international audience whereas comedy artists generally can’t. I visited Venice and I remember what music was for sale, whether it was classical musicians or, you know, at the time, Duran Duran. I’ve never set out to entertain families, but that’s what nearly everything I’ve done has done, which has been very gratifying because there’s an awful lot of comedy aimed at, you know, people between 15 and 30.Ĭan you tell me more about the power of visual comedy? I’ve never had an audience in mind, but I suppose I happen to appeal to what you might call a family audience. Who do you imagine laughing on the other side of the screen? And that is a very difficult thing to convey to another human being with just. Even though we had a lovely puppeteer who could make the bee do anything, sometimes I wanted to have more freedom to look wherever I wanted and to imagine the bee is wherever I wanted it to be. But yeah, it was difficult at times because a bee on the end of a rod. So, to a certain extent, I’ve got a little bit of experience. Years ago in the early ’90s, I did a comedy sketch onstage that involved trying to have a picnic with a bee. So many of the comic gags rely on reactions to a CGI bee. We just always thought it was quite funny to watch a house sitter who was stuck in a house which he’s clearly underqualified to look after. I can’t say we set out with any political or humanitarian or sociological agenda. Is it about lockdown? Is it about immigration? Is it about man’s inhumanity for animals? The themes are, of course, whatever you want to take away from it. We’ve all come across situations where you’re trying to work out: “How does this toilet flush? Is it that you press the button or you just wave your hand? Or do you just walk out the door and it flushes when you leave?” It’s interesting actually that in terms of the immigrant story, that’s what Trevor is, isn’t he? An immigrant coming into a world in which he knows very little and having to acclimatize and adapt and adjust to enable him to live the life he wants to live. I always bring something subconsciously to any character I play and write, because obviously I’m writing on the basis of my own experience and what I find funny or difficult. Besides his obsessiveness, which is his stumbling block - his weak point - I think he’s well intending and good-natured, but he’s got fault lines. Trevor is a little bit less isolated than a lot of other characters, and you see that he’s had a life for whom he obviously feels a lot. They tend to be a sort of singular, slightly isolated characters. Is this something that’s conscious for you as you’re picking characters to play? ![]() ![]() You have a taste for playing characters whose capabilities oftentimes fall short of their ambitions, including Trevor. It’s very nice to think that it might have actually had some social value over and above the simple act of entertaining people. ![]() came to Britain with her Chinese family no English whatsoever, but something they connected with was Mr. Within immigrant circles, your comedy comes up quite frequently as something that’s held near and dear by a lot of people for whom English is a second language.įunnily enough, I heard something similar from Jing Lusi, who plays the wife in Man vs. Tudum spoke with Atkinson about his specific brand of visual comedy, who it’s for and why he finds it so useful. #Mr bean rowan atkinson seriesBee, a near-silent comedy series in which he plays Trevor, a down-on-his-luck, well-meaning but neurotic house sitter of a multimillion-dollar home equipped with all the newest (and most confusing) tech. For many immigrant families who found themselves far from home and often similarly at odds in their new environments, this combination of accessibility and absurdity was a comfort.Ītkinson revisits this formula in Man vs. Bean as he tried to make sense of inscrutable Western customs and etiquette. Instead, Atkinson relied on physical comedy to portray the forever beleaguered Mr. Bean was one of the most recognizable comic acts of the ’90s, despite the fact that he barely spoke a word throughout his eponymous series’ 15 episodes. Played by British comedian Rowan Atkinson, the eternally bumbling and socially awkward Mr. Among immigrant households that love their TV, Mr. ![]()
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